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Visas for you: reviews

Sometimes I remember it would be nice to try writing a few lines on industrial quantity of movies that I devour so on, go with the mini-list of films seen (or magazines) in the past week:

Quantum of Solace: a sideshow. Mind you, in general, consider all the booth of James Bond films, and in particular the latter two are structured for "frameworks" and essentially designed as a video game more like spottoni advertising (thanks Sony) and more. But I want to unconditional love for Daniel Craig (retrieved "The Pusher", it is worth), or for more unconditional love for Eva Green, do you want for the scene of torture worthy of a gay porn I liked Casino Royale so much, this I miss here a bit '. However, the soundtrack signed by Jack White and Alicia Keys and convincing interpretation of Olga Kurylenko (who may she be the new Charlize Theron?) Deserve an honorable mention.

Angels and Demons : girls, do I have to confess: I LOVE this movie's crazy, really. Because it is so full of crap that it is impossible not to laugh out loud. The My favorite? The opening bars of Vittoria Vetra in Italian unlikely to google translator, the tom-tom of the Swiss Guards that indicates paths to fuck, skidding in curves, and parking are always free, the fountain in Piazza Navona with the depth of the pool at the Foro Italico , the police SWAT that appear in the scene at Castel Sant'Angelo ... and then he, the one and only: the Fashion Camerlengo (no, I mean, Ewan McGregor, mica pizza and figs), the man that all we want instead of Ratzinger at the Vatican but no, it makes a bad end . 'Sti assholes. Vabbeh Then there are the improbable things that you can read in all the other reviews around the web, but here there was talk of rankings staff. On the other hand polished Pierfrancesco Favino is a terrible figure (in the sense that it instigates rape virtually every frame) and the Lancia Delta is always the Lancia Delta. As an adult I want to be Dan Brown.

Catch : Someone explain to Matt Bomer, star of the White Collar, which to be as cool as Di Caprio's not enough just sculpted abs, two big blue eyes and full of good tailoring. It also takes the same talent in acting. A classic that you can not lose, Highly recommended.

A Christmas Carol : Disney at home things have really changed, if for the first time in its history, decided to open the classic stories of Christmas with the first floor of a corpse with two pennies on the eyes. Apart from anything else: this last adjustment all computerized, written by Robert Zemeckis, is ambivalent: adhering to the original text with regard to the dialogues and the yield of meanness of spirit of Scrooge, is suffering because of the tribute paid to 3D: some scenes we see clearly that they are put there to justify the premium and goggles, and to lengthen the stock of a film, shot in 2D and with actors in the flesh, would make a better shape. Bad sign pending the Alice in Wonderland by Tim Burton.

the Air : George Clooney has run stoned only with regard to privacy, fortunately, because the screen is still in great shape and, like good wine, improves with film film . Looking for information on Google, you will find that this film is written on the so-called headhunters (ie guys paid to fire guys do not even know) and the crisis. It is only partly true. The social report serves as a backdrop to a story that speaks especially of solitude as an existential condition, an emotional instability, even before work. Intelligent and interesting, perhaps one of the best films I've seen in 2010.

Parnassus - The man who would cheat the devil : The sudden death of Heath Ledger has struck up a stone like this modern fable about the power of the imagination, but not crippled to the point of regret in the exit salt. Ledger really the best of his ability (which makes it even more painful his death), Tom Waits devil histrionic anthology, texture altogether consistent, despite the understandable changes in the script. The sincere and heartfelt tribute to Johnny Depp, Jude Law and Colin Farrell to their deceased friend. A dream from which has been forced to wake up too sharply. Too bad.

The first nice thing : The Film Virzì I have a love-hate relationship. "The whole life ahead," according to me, remains his best film, with the latter I think he did a few steps back but if we are honest, still managed to take with honesty and directness that lie at the nodes basis of family ties. It is memorable for a joke or for interpretations (although, for once, the actors will deign to talk all the dialect of the city where the story is set), but for the memories and feelings that can move, for the love and sincerity of the representation of pain. To see, but not idolize.

There's something for everyone: for once the issue of insecurity is not treated as a comedy. For once an Italian film has a cast that knows how to act. Epper is the adaptation a bit 'too much of a theatrical play, with entr'actes full of nonsense more often out of place and in a photograph or an installation of contemporary art in a show I would appreciate avant-garde, but in a film about social issues I find too irritant. Promoted subject, but without much conviction. Better than the aforementioned "The whole life ahead."